Rise Up, Fallen Angel: a Performance Work by Victoria Gibson at the Center for Performance Research, Brooklyn, May 26-28, 7.30 pm

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Rise Up, Fallen Angel

Rise Up, Fallen Angel: a Performance Work by Victoria Gibson at the Center for Performance Research, Brooklyn, May 26-28, 7.30 pm

The ephemeral strands that connect us; a gesture, a sound, a touch – may trigger cascades of meaning. A glimpse of something peripheral to the main event, catches attention, and is gone — slipping into the crowd. “Play the Moment Composers’ Collective” weaves together strands of light and sound to form a tapestry of improvised narrative. The integrated media exhibition, Rise Up, Fallen Angel, brings together a diverse collection of visual creators from many countries who have sent their angels through the internet. We invite you to a primal, emotional experience designed to create an organically resonant, sensory immersion. Satisfy the need for spiritual renewal and tribal ritual in a contemporary context; myth and symbolism invoked using the latest in modern technology. We seek to reinforce the resilience of the human spirit: rise up and overcome the problems we all recognize in our lives, our communities and our planet.

Contact: Victoria Gibson (vixmedia@gmail.com)

Featuring projections of digital works by Joanna Gabler.

About the author

The Editor

Michael Miller, Editor and Publisher of New York Arts, an International Journal for the Arts and The Berkshire Review, was trained as a classicist and art historian at Harvard and Oxford, worked in the art world for many years as a curator and dealer, and contributed reviews and articles to Bostonia, Master Drawings, Drawing, Threshold, and North American Opera Journal, as well as numerous articles for scholarly and popular periodicals. He has taught courses in classics, the English language, and art history at Oberlin, Rutgers, New York University, the New School, and Williams. Currently, when he is not at work on New York Arts, he writes fiction, pursues photography, and publishes scholarly work. In 2011 he contributed an introductory essay to Leonard Freed: The Italians / exh. cat. Io Amo L’Italia, exhibition at Le Stelline, Milan, and wrote the revised the section on American opera houses in The Grove Dictionary of American Music. He is currently at work on a libretto for a new opera by Lewis Spratlan, Midi, an adaptation of Euripides’ Medea set in the French West Indies, ca. 1930.

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