Esa-Pekka Salonen and Christian Tetzlaff in Bartók with the Philharmonia at the Royal Festival Hall
Figure, Memorie, Spazio: disegni da Fra’Angelico a Leonardo (Sala delle Reali Poste, Galleria degli Uffizi) and La Grafica del Quattrocento: appunti di teoria, conoscenza e gusto (Gabinetto Disegni e Stampe degli Uffizi), Florence. Closed June 12th.
A Few Words on the Edinburgh International Film Festival
Fauré’s Requiem as Theatre: Stephen Baynes Choreographs the Australian Ballet
Resident Australian Ballet choreographer Stephen Baynes just in the act of choosing Fauré's Requiem mass for a new ballet for the (Australian) Federation Centenary in 2001 clearly stated his concept. He bravely steered to a huge and personal topic in creating a ballet around death with that intimate choral music, and his keen understanding of the music and inventive choreography insure that neither the dancing nor the musical elements step on the other's toes, as it were. On the contrary the close marriage of choreography and music, though of course not written with the slightest intention for the ballet, sets it as an excellent example of 'old' music though already near perfect, benefiting from the added dancing, the choreography finding new depths, no deeper or shallower than the music's alone, but different depths found only in theatrical arts. Indeed, Stephen Baynes' ballet introduced me to new approaches to Fauré's music. Beyond Bach, the other ballet in this all-Baynes double bill showing only in Melbourne, is powerful enough to stand alongside Requiem with neither overshadowing the other. It is almost abstract and shows a deep love for history and J. S. Bach.
Lincoln Center Festival 2011: Ballet, Bruckner, Brook, Druid, Merce, Ruders, Shakespeare…
This year the Lincoln Center Festival will be longer and richer than ever. It will offer 116 performances by ensembles and artists from some 20 countries, and will include 6 World, North American, U.S., and New York premieres unfolding in …