February 2015

Theater

Hugh Leonard’s Da, Revived at the Irish Repertory Theatre

After its impressive fall production of Conor McPherson's Port Authority (2001), the Irish Rep has moved on to an older play from an older generation, Hugh Leonard's Da (1978), which was a huge success in New York and on a ten-month American tour, winning all three of the major Best Play awards in 1978, the Drama Desk, New York Drama Critics' Circle, and the Tony. It premiered off-off Broadway, soon transferred to the Morosco Theatre on Broadway (which fell prey to the wrecker's ball shortly afterwards) and almost became a New York institution over its 687 performances. It was made into an American film in 1988, with Martin Sheen playing Charlie opposite Barnard Hughes, who created the role of Da on stage.
Berkshire Review

Andris Nelsons in Boston…with Two Superb Concerts under the BSO’s New Assistant Conductor, Ken-David Masur, and an Appreciation of James Levine

Andris Nelsons has garnered a lot of attention during his first season as Music Director of the Boston Symphony Orchestra—much coverage in the local and even national press; receptions for the public and an exhibition with a talking hologram at Symphony Hall; placards on buses around Boston and in the subway. He threw out a ball for the Boston Red Sox at Fenway Park. The BSO organization wants him talked about by the man and woman on the street—especially the younger set. It remains to be seen whether a new younger audience will be drawn to the BSO. Eventually, it’s the music that will matter, not publicity.
Music

Scriabin lives again at Carnegie Hall! With Mendelssohn, Debussy, Brahms, and Schumann. Riccardo Muti conducting the Chicago Symphony Orchestra, with Yefim Bronfman

One can't help feeling mildly shocked when one realizes that the Chicago Symphony is now alone among the great American orchestras in employing one of the great senior conductors as Music Director. Michael Tilson Thomas in San Francisco is close to him in age, but nowhere near him in authority. Franz Welser-Möst has something like authority, but not the age, and one might say that his conviction in following his own lights has not quite developed into the kind of authority conductors like Muti and Chailly command.
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