October 2019

Music

The Sydney Symphony with Vladimir Ashkenazy and Alexei Volodin in Medtner and Holst

Who would ever suppose an obscure one-movement piano concerto could produce this sort of triumph? Alexei Volodin simply and unexpectedly swept away his Sydney listeners at this concert to frenzied screams with his performance of the Medtner Piano Concerto No.1. Our audience came to hear The Planets no doubt, but many just as surely emerged, like me, a dazed convert to Medtner, as if taken over by pods in my sleep from Invasion of the Body Snatchers. It was a stunning experience.
Dance

Works & Process Rotunda Project at the Guggenheim: Dance Theater of Harlem at 50

“The arts ignite the mind, they give you the possibility to dream and to hope."  So said Arthur Mitchell, founder of the Dance Theatre of Harlem. The company made its official New York debut in 1971 in the rotunda of New York’s Guggenheim Museum. To celebrate the Guggenheim building's 60th and Dance Theatre of Harlem's 50th anniversaries, Works & Process, the performing arts series at the museum, presented a Rotunda Project that acknowledged Mitchell’s death in September, 2018 by including a restaging of his Tones II by former DTH principal ballerina Lorraine Graves with assistance from former principal ballerina Caroline Rocher.
Musical Theater

Broadway Close Up: Bound for Broadway—Ladies First

Tony nominee and Emmy Award-winning singer and actress Liz Callaway hosted the evening, delighting the audience both with her presence and her acknowledgement that all of the evenings’ shows were written or co-written by women. Charming, unpretentious and funny, she launched into You Don’t Own Me, a 60s shout-out to women’s lib (although the movement didn’t hit its stride for another decade.) 
Coming Up and Of Note

Only a week away! Michael Miller’s Solo Play, “Transfiguration”, at the Metropolitan Playhouse and the New York International Fringe Festival, October 12th (7:30 pm) and 13th (2 pm). Buy your tickets now!

Michael Miller's solo play "Transfiguration," winner of Best One-Man Drama at the 2018 United Solo Festival, will return to New York City on October 12th (7:30 pm) and 13th (2 pm) at the Metropolitan Playhouse as part of the 2019 New York International Fringe Festival. Gary Hilborn will repeat his award-winning performance, directed by Graydon Gund.
Opera

Opera Old, New, Borrowed, Blue: Glimmerglass 2019

The raucous, kaleidoscopic intertextual mash-up of Beaumarchais, Mozart, Rossini, Strauss, and Peter Weiss is grand entertainment.  It is so obsessively referential to other operas and plays that the nearly three hours of puns, parodies and lampoons might be wasted on anyone other than certified opera nerds.  One might believe that William Hoffman and John Coragliano overdosed on Douglas Hofstadter’s reflection on self-reflection, Gödel, Escher, Bach, Michael Zemeckis’ Future franchise films, and von Hofmannsthal/Strauss’s Ariadne auf Naxos.
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