Although the three works, Rite of Spring, Company B and Piazzolla Caldera that made up the evening are very different in style and tone, they are equally compelling.
Articles by Mari S. Gold
very character in The Insurgents, a new play by Lucy Thurber at The Bank Street Theater, is or has been disenfranchised. Sally Wright, played by Cassie Beck, has lost her athletic scholarship and returns to a dead-end, no hope town in the rural Northeast, joining her father, a drinker and womanizer and her brother who can't get anything right.
Just after Justin Peck goes on stage to acknowledge the applause as the choreographer of Paz de la Jolla, a new ballet, he leaves and goes backstage. He walks to a small dressing room where he takes off his dark suit, puts on makeup and his costume and, responding to the PA summoning dancers to the stage, goes back downstairs to perform in another ballet.
Kentucky Cantata by Paul David Young is supposed to be about issues of important issues of our time including violence against women, race and immigration. However, it doesn’t rise to the importance of these.
This version of the beloved holiday classic, The Nutcracker, is less a focus on technical brilliance and more a charming family event with a host of young (and very young dancers). I went with two teenage girls, both veterans of other performances including the iconic New York City Ballet version. We agreed that the dancers worked hard and danced their little hearts out and that a huge amount of time and effort, to say nothing of a lot of rehearsals, went into the performance.
Move over Les Miz! The Flames of Paris is an opulent, highly muscular, charged ballet that's mass entertainment complete with sward-fighting, clog dancing, folk music and enough revolutionary zeal to please any audience. It also makes the French Revolution look like an event that took place between dessert and coffee – no guillotines, no blood and almost no tragedy if you don't count the two on-stage deaths that register more as plot lines than emotional grabbers.
Get ready for a great dance experience via the Mikhailovsky Ballet, a company that combines classical tradition with a modern look, arriving at Lincoln Center's Koch theater for an all-too-short engagement beginning November 11, 2014 and ending November 16.
At one point in the entirely delightful Three Acts, Two Dancers, One Radio Host, Ira Glass observes that Monica Bill Barnes and Anna Bass imbue their performances with personality just like “real people” as differentiated from more typical dancers with bland facial expressions who spin around. Bingo. This hybrid of two art forms, dance and radio, is like nothing I've ever seen, and I doubt that anyone else in the large Town Hall audience has either.