Articles by Mari S. Gold


Poor Behavior, Written and Directed by Theresa Rebeck at the New Ohio Theater

Teresa Rebeck, writer of Broadway’s Bernhardt/Hamlet, NBC’s Smash and more, is one talented lady but her film directorial debut, Poor Behavior, left me scratching my head. Set in a Vermont country house, it deals with two couples from New York spending the weekend together. Everyone drinks a lot and fights incessantly, goading one another into increasingly bad behavior. However, not one of the characters is very interesting nor are the barbs they trade particularly clever.

What’s Great About Gatsby? Elevator Repair Service performs Fitzgerald’s novel in its entirety, as Gatz.

Reading a book is a solitary, intimate experience in which the reader sets the pace and imagines the characters as he or she sees them. Listening to a book is another way to appreciate a work, sometimes influenced by the narrator’s voice. Gatz, as created by Elevator Repair Service, uses an unprecedented approach, staging the book as it is read in its entirely. The performance begins when an anonymous office worker sits at a desk in a grungy office and, while waiting for his computer to boot, idly picks up The Great Gatsby and starts reading it aloud. The worker slowly takes on the character of Nick Carraway, the narrator of F. Scott Fitzgerald’s classic Jazz Age novel, who reads every word of the book including the “he/she saids” for a marathon six hours. Bit by bit, the other office workers assume the rest of the characters although the bulk of the effort falls to the staggeringly good Scott Shepherd.

Paradise Not Found: “Utopia” by Valerie Green/Dance Entropy at Danspace Project, St. Mark’s Church

The work asks “what does Utopia mean to you?” The standard definition of Utopia is an imagined place or state of things in which everything is perfect. What I saw was seven dancers, (five women, two men), in vaguely Greek white costumes dancing with long, cylindrical poles.  The dancers gave the premise a good try but the end result was bland. The poles, made by visual artist Keren Anavy, as well as the “rocks” that later became lighted headdresses, took over. The dancing seemed in service to the props so the concept of exploring a “perfect place” got lost in the shuffle. In fairness, there wasn’t much shuffling but rather too many repetitive, unimaginative steps with a few lovely interludes, notably when a man and woman briefly danced a tender pas de deux and later when the troupe ran in place with the poles serving as trees flanking each dancer.

Man and Monster—A Dark Comedy: Dr. Jekyll & Mr. Hyde at the Soho Playhouse, closing December 15

Start with the title: Dr. Jekyll & Mr. Hyde: A Comedy. Indeed, this production, based on Robert Louis Stevenson’s anything-but-amusing novella, has many funny (and even more quirky) moments beginning with the opening scene in which Jekyll and an unidentified woman watch a fumbled public execution. The particular, wacky charm of the show stems from the fine interplay between Burt Grinstead, playing Jekyll and Hyde and Anna Stromberg playing everyone else—Jekyll’s maid, Poole;  a London Bobbie, Jekyll’s friend and many other characters, each identified by a single costume piece or prop. Grinstead and Stromberg also wrote the script that centers around duality and the nature of morality while Stromberg directed.
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