Teresa Rebeck, writer of Broadway’s Bernhardt/Hamlet, NBC’s Smash and more, is one talented lady but her film directorial debut, Poor Behavior, left me scratching my head. Set in a Vermont country house, it deals with two couples from New York spending the weekend together. Everyone drinks a lot and fights incessantly, goading one another into increasingly bad behavior. However, not one of the characters is very interesting nor are the barbs they trade particularly clever.
Articles by Mari S. Gold
Before we thrilled to Fiddler on the Roof there was Sholem Aleichem, the most beloved Jewish writer of the modern age who produced short stories, plays, literary criticism and more. Tevye Served Raw distills these, concentrating on the Tevye the Dairyman stories, to remind us of the essential sweetness-cum-pathos of Aleichem’s life and his genius.
Reading a book is a solitary, intimate experience in which the reader sets the pace and imagines the characters as he or she sees them. Listening to a book is another way to appreciate a work, sometimes influenced by the narrator’s voice. Gatz, as created by Elevator Repair Service, uses an unprecedented approach, staging the book as it is read in its entirely. The performance begins when an anonymous office worker sits at a desk in a grungy office and, while waiting for his computer to boot, idly picks up The Great Gatsby and starts reading it aloud. The worker slowly takes on the character of Nick Carraway, the narrator of F. Scott Fitzgerald’s classic Jazz Age novel, who reads every word of the book including the “he/she saids” for a marathon six hours. Bit by bit, the other office workers assume the rest of the characters although the bulk of the effort falls to the staggeringly good Scott Shepherd.
“I wrote everything for Alice,” said Calvin Trillin about his wife, a remarkable woman who was, in addition to her many impressive credentials, his muse. Trillin recounted a great deal about his life with Alice in memoirs, articles and books but the transformation of his sentiments from written work to this two-character play has both up and downsides.
Notes for Bears Ears say the piece aims to raise awareness of the current controversy surrounding Bears Ears National Monument in Southern Utah. While designated as a National Monument by President Obama, Bears Ears is now a symbol of the Native American struggle as a result of the current Administration's attempts to reverse Obama's designation.
If angels wore dark blue and carried music scores they could be the Soharmoniums. This all women’s chorus brightened the stage fifty-strong and filled the ears of the audience. A beautifully blended vocal group, it added to the pleasure to see them in uniform dress so that the eye was not distracted and all attention could be focused on their entirely delightful offerings.
The work asks “what does Utopia mean to you?” The standard definition of Utopia is an imagined place or state of things in which everything is perfect. What I saw was seven dancers, (five women, two men), in vaguely Greek white costumes dancing with long, cylindrical poles. The dancers gave the premise a good try but the end result was bland. The poles, made by visual artist Keren Anavy, as well as the “rocks” that later became lighted headdresses, took over. The dancing seemed in service to the props so the concept of exploring a “perfect place” got lost in the shuffle. In fairness, there wasn’t much shuffling but rather too many repetitive, unimaginative steps with a few lovely interludes, notably when a man and woman briefly danced a tender pas de deux and later when the troupe ran in place with the poles serving as trees flanking each dancer.
Start with the title: Dr. Jekyll & Mr. Hyde: A Comedy. Indeed, this production, based on Robert Louis Stevenson’s anything-but-amusing novella, has many funny (and even more quirky) moments beginning with the opening scene in which Jekyll and an unidentified woman watch a fumbled public execution. The particular, wacky charm of the show stems from the fine interplay between Burt Grinstead, playing Jekyll and Hyde and Anna Stromberg playing everyone else—Jekyll’s maid, Poole; a London Bobbie, Jekyll’s friend and many other characters, each identified by a single costume piece or prop. Grinstead and Stromberg also wrote the script that centers around duality and the nature of morality while Stromberg directed.