Articles by The Editor
In considering how to approach this review of Our Time, a Collage of Records from Williams, directed by Omar Sangare, Professor of Theatre, I came to the conclusion that it was imperative to concentrate not only on the title of the production, which seems neutral enough at first glance, but how it was described in the official announcement. As a co-production of the Williams Theatre Department and “Sondheim@90@Williams,” to honor the 90th birthday of Stephen Sondheim as an illustrious member of Williams Class of 1950[1. for which the Williams Music Department also organized a day-and-a-half symposium about the composer and his work], Our Time was presented “in celebration” of this birthday. That final phrase might lead us to expect a revue of Mr. Sondheim’s most-loved tunes with a new, student-generated book encasing them, but Our Time was nothing of the sort.
Not everyone agreed about the merits of Erich Wolfgang Korngold's music, but he was the occasion of one of the most provocative Bard Music Festivals ever. Four of us have deliberated on either that or important new recordings, which add to our understanding of this sympathetic composer.
Not to be missed—something new and something old! The outstanding musicians who have worked with conductor Justin Bischof for some years with noted success in New York City and Westchester county are now reorganized as The Modus Opera Orchestra, resident in St. Mary's Church in Long Island City. This coming Saturday, November 23rd, their inaugural concert will begin with Beethoven's Fifth Symphony, in a performance which is sure to be exciting and fresh, followed my Rossini's William Tell Overture, which is partly inspired by Beethoven's Fifth and his "Egmont" Overture. Follwing that soprano Elyse Ann Kakacek will join the orchestra for Barber's Knoxville, Summer of 1915 and an Alleluia by Mozart. The concert will conclude with Wagner's Overture to Tannhäuser. I think we may assume that the unusual sequence of works, pretty much the reverse of standard classical programming, hints at something new and extraordinary to expect from Maestro Bischof and his superb musicians.
Organist Paul Jacobs, chair of Juilliard’s organ department, will perform a three-recital series in September 2019 featuring a program of works drawn from throughout the great French organ tradition. Mr. Jacobs stands out as among the organists of today for his interpretative intellect, virtuosity, and musicological learning. He opens the series performing on the Holtkamp organ in Juilliard’s Paul Hall on Tuesday, September 10, 2019, at 7:30pm. The series continues on the 1933 Aeolian-Skinner “Opus 891” at the Church of St. Mary the Virgin on Tuesday, September 17, 2019, at 7:30pm, and concludes on St. Ignatius Loyola’s 1993 Mander Organ on Tuesday, September 24, 2019, at 7:30pm.
We are delighted to announce that actor Gary Hilborn and playwright Michael Miller received the Award for Best One-Man Drama at the United Solo Closing Gala for “Transfiguration.”
I am very pleased to announce some exciting changes at New York Arts—or, rather, the restoration of a program included in our initial mission statement. There it said that New York Arts would "no longer be only a critical arts journal, but a sponsor of exhibitions, concerts, and other performances." This began with an invitational event combining a showing of old master drawings and a concert of baroque music (Bach, Handel, Telemann, et. al.) played by Paula Robison, Kenneth Cooper and others in the Fabbri Mansion (House of the Redeemer) on the Upper East Side. There followed another multi-disciplinary event, a reading of poems by W. B. Yeats, Lloyd Schwartz, Senior Editor at New York Arts, one of America's outstanding poets, who has done extensive research on Yeats, with traditional Irish music for flute and fiddle in conjunction with an exhibition of Michael Miller’s views of the Irish landscape, monuments, and people at the Centerpoint Gallery in Chelsea. Back at the Fabbri Mansion, there was an admirable recital by Stephen Porter on the mansion's Grotrian-Steinweg (ca. 1900), entitled "Late Style," with works by Debussy, Beethoven, Chopin, and Schubert.