Articles by The Editor

Film

Silver Stream – Short Film: Grace Kiley – Writer, Director & Actor – Kickstarter Campaign ends on May 22!

Diagnosed with a progressive illness at the time of her daughter's birth, Anna made the decision to give her daughter, Una, up for adoption when she was just 2 weeks old. Twenty-seven years later, Anna feels compelled to contact Una in order to pass on her inheritance, "some good and some not so good."  Anna's illness has begun to affect her daily function. She assumes her daughter was raised by the privileged family who adopted her, but soon discovers a very different story.
Coming Up and Of Note

I Giullari di Piazza and Alessandra Belloni to Perform La Cantata dei Pastori (The Shepherd’s Cantata) at the Theater for the New City, December 16-18, 21, 22

Come back in time to Southern Italy with Alessandra Belloni and I Giullari di Piazza, the renowned Italian music/theater/dance company, when they present their traditional Southern Italian "La Cantata dei Pastori," (The Shepherd's Cantata) a musical family holiday delight, at Theater for the New City, 155 First Avenue (between 9th & 10th Streets). Five performances, December 16 & 17 at 8 PM; December 18 at 5 PM; December 21 & 22 at 8 PM.   Starring as Mary in this unique production is the internationally renowned singer, percussionist, author, and director, Alessandra Belloni, an acknowledged authority on traditional Southern Italian arts, co-founder of I Giullari di Piazza (The Jesters of the Square), and solo guest performer in venues around the world.
Coming Up and Of Note

“The Box Officer” (Shown at Sunshine Cinema, October 9 – 11, just before the midnight screenings of “Taxi Driver”) is now on You Tube.

Don't miss Lucas Miller's The Box Officer, a lightning-fast, side-splitting "hommage" to Martin Scorsese's Taxi Driver, to be premiered just before Sunshine's special midnight screening of a newly restored print of the 1976 classic Friday, Saturday and Sunday, October 9 through 11. Just what happens when the dark passions of the streets of New York invade the four walls of a cinema?
Coming Up and Of Note

Hotel Elefant’s “speakOUT,” featuring composer Paola Prestini

Hotel Elefant's spring concert continues their third season theme "speakOUT," representing artists who are utilizing music to reflect on issues both personal and political. Not only will the program “speakOUT” by focusing on these issues, but the program itself will raise its voice by featuring an all-female cast of composers, presenting innovative work by featured composer Paola Prestini along with emerging composers Lainie Fefferman and Leaha Maria Villarreal. The ensemble will perform Prestini’s Yoani, with a libretto by Royce Vavrek, including a brand new movement from the work, and Inngerutit; the world premiere of Lainie Fefferman’s Hotel Elefant-commissioned piece Impostor Syndrome; and the world premiere of Leaha Maria Villarreal’s This is How We Love.
New York Arts in Italy

Leonard Freed, The Italians – exhibition now at The Leica Gallery, New York, until August 9, 2014

Leonard Freed, The Italians, Quantuck Lane Press, 2011, exhibition now at the Museo di Roma in Trastevere through May 27, 2012. The great documentary art photographer's warm-hearted, but sharply observed takes on Italian life between 1956 and 2005 appear in 190 superb duotone illustrations. With an introductory essay in English and Italian by Berkshire Review/New York Arts editor, Michael Miller. The selection of images in the book and in the exhibition was made by Freed's widow, Brigitte and James Mairs, editor at the Quantuck Lane Press. The Italian edition, which is also bilingual and virtually identical, is distributed by the local organizer, Admira.
Coming Up and Of Note

Extraordinary Brahms and Shostakovich from Tonu Kalam and the UNC Symphony Orchestra

It's not our custom to review performances we post, but I will say a few words about this concert. Brahms's Third Symphony is notoriously difficult to perform successfully. I have heard great conductors fail in it. The Toscanini story is famous. None of his NBC Symphony performances quite gel, and there was always much discussion about why this particular symphony, which seemed so well-suited to his temperament evaded him, until his splendid performance with the Philharmonia Orchestra became generally available as a recording many years after his last visit to London at the very end of his career. The puzzlement about Nelsons' recent performance with the BSO is another case in point. Tonu Kalam has no such problem here. By adopting a gentle, lyrical approach to the work, Kalam achieves a performance that is musically and emotionally coherent—one of the finest I've heard.
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