Theater

New York Arts in Edinburgh

Black Watch from the Natonal Theatre of Scotland

The Iraq War is an infuriating abomination and I am more than happy to see anything that attacks it. I am also, as it happens, not against seeing fine theatre. Therefore, I was delighted to see two birds killed with one stone at the National Theatre of Scotland’s production of the Edinburgh Festival hit Black Watch at the Scottish Exhibition & Conference Centre (SECC) in Glasgow, as the play continues its tour through the UK, and then on to North America. [Since its first performance at the Edinburgh Fringe in 2006 in an unused drill shed, Black Watch has played before sold out audiences and won numerous awards, not only the Fringe First, but South Bank Show Award for Theatre, the Critics’ Circle Awards (to John Tiffany as Best Director) and others. It played to sold-out audiences at St. Ann’s Warehouse,Brooklyn in October-November 2007, and will return there in October 2008. - ed.]
New York Arts in Edinburgh

The Glass Menagerie by Tennessee Williams at the The Royal Lyceum Theatre, Edinburgh

From time to time, the American expat, no matter how unpatriotic his sentiments may be, develops a certain homesickness for his motherland. This regret may take on a gluttonous form, causing a longing for hamburgers, fried chicken, hot dogs or “freedom fries.” Being rather put off by the thought of an heart attack, I decided to feed my cravings instead by attending Tennessee Williams’ The Glass Menagerie at the Royal Lyceum Theatre in Edinburgh, directed by Jemima Levick.
Theater

R. C. Sherriff’s World War I Classic, Journey’s End, on Broadway

For the fourth time now, Eve Queler, Conducter Laureate of the Opera Orchestra of New York, will bring Richard Wagner's third opera, Rienzi, to life. That is the only word for it, because her 1980, 1982, and 1992 performances of the rarely-performed opera were terrific hits among critics and audiences. Curiously for concert performances they had the impact of great spectacles, with choirs marching through the aisles and trumpets spread about the hall. Although, as always, Ms. Queler's focus was always on the music, she captured some of the spectacle of the first performances.
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