Anglophiles, those with a taste for recent British history and anyone who would like a look back at a non-PC world will enjoy this entertaining gabfest. Writer Moira Buffini has imagined a lengthy series of interchanges between Queen Elizabeth and her Prime Minister, Margaret Thatcher, sprinkling these liberally with references to events they shared. The transition from Rhodesia to Zimbabwe, relationships with President and Mrs. Reagan, Charles and Diana’s wedding, the Falklands and a much else gets a brief look at as two Queens, (Anita Carey as Q and Beth Hylton as a younger version dubbed Liz), and two Iron Ladies, (Kate Fahy as T and Susan Lynskey as the younger Mags), meet repeatedly, talk about what passed for state business and drop asides.
It’s Angel’s Bar, a good-ole-boy hangout in Maynard, Texas with bales of hay, beer bottles, an outline of the Lone Star state on a door and graffiti on the walls. Two ragged men with battered Stetsons speak as one sloppily sweeps up escaping hay and I thought, ah, the performance. No, it was the house rules with the usual explanations about exit signs augmented with some barroom bits like “no touching.”
Gary Ferrer’s Nothing Here is Real is an entertaining mash-up of what he refers to as “mentalism”—magic effects, including one it-almost-doesn’t-happen card trick, and cheery, crowd-pleasing patter designed both to engage the audience and turn its collective mind where he wants it to focus.
Conflating the myth of Helen of Troy with the story of Norma Jeane Baker, aka Marilyn Monroe, is a terrific idea. Both women were revered for their beauty and lusted after by men far and wide; despite, or probably because of these characteristics, neither enjoyed a very happy life.
The founders of Frog and Peach, Lynnea Benson and Ted Zurkowski, began the company with the goal of making Shakespeare “playful and down to earth,” i.e. accessible to all. This is a great idea, and undoubtedly their group has introduced many people to the Bard but in this case it doesn’t make a great production.
Stockbridge: Summer 1966
A memoir of the Berkshire Theatre Festival’s inaugural season — Episode I
Meetings with Remarkable Men (and Women)
In 1965 I had been in New York City for two years, having come down the Thruway from Honeoye …