Gary Ferrer’s Nothing Here is Real is an entertaining mash-up of what he refers to as “mentalism”—magic effects, including one it-almost-doesn’t-happen card trick, and cheery, crowd-pleasing patter designed both to engage the audience and turn its collective mind where he wants it to focus.
Conflating the myth of Helen of Troy with the story of Norma Jeane Baker, aka Marilyn Monroe, is a terrific idea. Both women were revered for their beauty and lusted after by men far and wide; despite, or probably because of these characteristics, neither enjoyed a very happy life.
The founders of Frog and Peach, Lynnea Benson and Ted Zurkowski, began the company with the goal of making Shakespeare “playful and down to earth,” i.e. accessible to all. This is a great idea, and undoubtedly their group has introduced many people to the Bard but in this case it doesn’t make a great production.
Stockbridge: Summer 1966
A memoir of the Berkshire Theatre Festival’s inaugural season — Episode I
Meetings with Remarkable Men (and Women)
In 1965 I had been in New York City for two years, having come down the Thruway from Honeoye …