As you may or may not have heard, last week was a strange one here in Sydney. The arrival of twenty world leaders and George Bush’s mountain bike warranted the erection of a five kilometre fence around certain grade A, mostly waterfront, parts of the central business district. There was debate and consternation, protest and, unexpectedly, pro-Bush counterprotest. While Bush rode his bike on my local trails, the leaders of countries like Chile and South Korea were unable to travel to the suburbs to meet their countrymen and women living in Australia. Then a group of comedians, one dressed as Osama Bin Laden, breached the exclusion zone in a fake Canadian motorcade. Which was funnier, the stunt itself or the pundits who insisted it wasn’t funny?
For the fourth time now, Eve Queler, Conducter Laureate of the Opera Orchestra of New York, will bring Richard Wagner's third opera, Rienzi, to life. That is the only word for it, because her 1980, 1982, and 1992 performances of the rarely-performed opera were terrific hits among critics and audiences. Curiously for concert performances they had the impact of great spectacles, with choirs marching through the aisles and trumpets spread about the hall. Although, as always, Ms. Queler's focus was always on the music, she captured some of the spectacle of the first performances.
[caption id="attachment_1593" align="alignright" width="300" caption="Kyung Hong as Eva and James Morris as Hans Sachs, photo: Beatriz Schiller/Metropolitan Opera"][/caption] The Metropolitan Opera, New York, March 10, 2007, 12 pm Eva: Hei-Kyung Hong Magdalene: Maria
Of all the events in the year, I can't think of anything I anticipate quite as keenly as the Bard Music Festival, which is dedicated to exploring the life and works of major composers in the broad context of the culture in which they lived. [caption id="attachment_256" align="alignright" width="298"] Richard Wagner in 1873[/caption]