Antony Gormley

Art

Bill Viola: The Moving Portrait: Smithsonian: National Portrait Gallery, Washington DC, November 18, 2016 – May 7, 2017.

Bill Viola, one of the most sought-after artists internationally, early selected a contemporary medium to address broad humanistic questions. Embracing global perspectives that include Christian theology, Zen Buddhism, and Islamic Sufi mysticism, his videos address our hybrid existence as matter and thought, our memories, empathy with others, and transitions through birth, death and aging. Organized by Asma Naeem, curator of prints, drawings and media art, in consultation with Viola’s creative partner, Kira Perov and the Bill Viola Studio, the exhibition displays eleven works that span the artist’s early career to the present. Kim Sajet, director of the National Portrait Gallery, expressed his delight in inviting “visitors to enter the museum’s newly created media galleries to experience portraiture in its most telling and current form: moving revelations of the human body and spirit that befit our digital age.” In the accompanying 20-page brochure, Naeern provides a contextualizing overview; the artist comments simply on the action in each piece. The viewer is encouraged to make associations, a direction Viola advocated in an earlier interview: “images have their life because they’re untethered and free floating” (video: Bill Viola and the making of Emergence by Mark Kidel, 2003).
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