What a strange, scary, and remarkable year 2020 has been, in all our lives! The social isolation that I have carried out pretty consistently has led me to look to music even more than usual for solace, enlightenment, and pleasant distraction. I gather that many music lovers have traveled a somewhat similar path since mid-March. My penchant for opera, and for vocal music and for the theatre generally, has led me to get to know a number of recent CD releases, many of which I have reviewed for American Record Guide or for various online magazines.
The demise of New York's beloved City Opera seemed sudden and bizarre—and so painful to opera lovers in the City, that many lost sight of what a long process it was. The board's bad decisions went back around a decade. The company's deficits climbed, and its endowment was repeatedly raided. There was time to change things, and the warning signals were unmistakable. The late Gérard Mortier's innovative spirit and visibility may have been an asset, but he was hardly famed for his thrift. In the end they couldn't afford even to get him started. When the NYCO couldn't meet the budget they had agreed to offer him, he backed out. His replacement, George Steel, had similar artistic inclinations.