New York Arts program of multidisciplinary events will begin again with increased frequency and energy. In addition to the diverse events—in some cases combining different arts, following the interests of the magazine: music, opera, theater, dance, art, photography, architecture and urban design, local history, and food and drink—there will also be traditional concerts like Stephen Porter's, theatrical performances, readings, exhibitions, and symposia. Our new program will begin immediately with a private workshop reading of a new play. Our publication will offer articles amplifying these events and the issues they raise, as well as the familiar reviews and interviews related to local as well as national and international performances and exhibitions.
It seems right to begin by grounding whatever else I have to say in the recommendations of Florens 2010. Since much of this will be discussed at Florens 2012. I’ve entered my thoughts simply as comments on the thirteen proposals of 2010. Some of these mention examples from my experiences in the U.S. While the U.S. scored quite well in the Florens 2010 surveys, there is no reason why it should be considered exemplary. The arts struggle there as much as anywhere, although there are a variety of resources to support it. The Tanglewood Music Festival is without a doubt the most important summer music festival and school in the country. They have just published their attendance figures for this past summer, the summer of their 75th anniversary celebrations, and it is makes for depressing reading. The most popular classical concert by the Boston Symphony Orchestra — and these were the cornerstone of the founder, Serge Koussevitzky’s vision for the festival — ranked ninth below eight pop concerts and semi-popular ceremonial events. Even with an array of private and corporate donors at hand and painstakingly cultivated, the arts have to work hard in the New World to survive and risk compromising their mission.
Although Photo Month in Paris is November, exhibitions of emerging and renowned photographers seem to take place regularly throughout the city. If you are traveling to Paris, here are a few that will take you off the hard worn museum path and are worth the exploration. Perhaps the premier outlet for photography in Paris, and an important venue for experimentation in the medium throughout Europe, is the Maison Européenne de la Photographie. Situated conveniently between the Pont-Marie and the St. Paul metro stops, it is just a block’s walk north from the Seine. Through mid-June, there are a variety of solo photo exhibitions on each of the gallery’s floors.