No sooner was Eugene Goossens knighted by the Queen of England for service to Australian music, than he wound up benighted and foolish in the hands of the immigration police. Arrested at Sydney airport for pornography in his luggage, Goossens found his international reputation shattered and life soon to end from a major fall from grace. At the time of his arrest in 1956, he was known throughout the world as a conductor, orchestra builder and composer. In a long career, starting out as a protege of Sir Thomas Beecham, Goossens had put the Rochester Philharmonic on the map, taken the Cincinnati Symphony to new heights, and made his mark as the most important performing musician in Australia, stewarding the Sydney Symphony to international prominence after the Second World War.
Lovers of opera, decadence, and general excess, had reason this year to rejoice. This past summer, Bard Summerscape staged, as its centerpiece, complementary to the Bard Music Festival, Das Wunder der Heliane (The Miracle of Heliane), which is possibly the single most important work by Erich Wolfgang Korngold (1897-1957). And the work has now appeared in a sumptuous new recording (reviewed here) as well as in a much-praised DVD version from the renowned Deutsche Opera (Berlin), which indeed looks wonderful in this trailer.
Delving into the music of Alberic Magnard is to reach deep into the heart of French culture. Magnard was a subtle, aristocratic composer, trading in understatement. If you enjoy the delicate chromaticism of Gabriel Fauré, or Albert Roussel’s early works, such as his First Symphony, Poème de la forêt, you will love Magnard. If you are looking for the more obvious charms of Berlioz, Dukas, Franck or Saint-Saëns, you may be disappointed. Magnard is like Franck, but turned inward and away from Franck’s saccharine religiosity. Despite all the forte moments one could want, this is music best heard with the lights low and a log in the fireplace.