Havergal Brian

A London Summer with Huntley Dent

Prom 4: Havergal Brian’s Symphony No 1 “The Gothic”

OMG! The appearance of Havergal Brian's "Gothic" Symphony is like the biblical Leviathan surfacing in Hyde Park. It's epochal. The buses lined up behind the monster aren't full of gawkers but the assembled forces needed to perform the work, not counting trucks loaded with 32 timpani, eight brass choirs, a horde of extra offstage trumpets, and more — much, much more. Choruses throng from all points of the compass. Somewhere at the musicians' union a shop foreman is screaming into the phone, "Don't tell me we've run out of ophicleides and sarrusophones! This is apocalypse!" Oh wait, it was Berlioz who calls for ophicleides and sarrusophones. But some wisp of his spirit hovered over Stoke-on-Trent when the very, very dotty composer, Havergal Brian, was born in 1876.
Music

Proms 2011 – a personal preview by Gabriel Kellett: Royal Albert Hall et alibi, 15 July – 10 September, 2011

I'm in two minds about the Proms tradition of always allotting significant programming space to composers with major anniversaries. It's transparently a fairly arbitrary device to make the programmers' jobs much easier and minimise the thorny problem of personal taste entering the decision-making process; on the other hand, without it we would never get three concerts this year featuring one of my favourites, Percy Grainger (died 50 years ago). In particular, the late night Prom on 2 August including Kathryn Tickell and June Tabor, celebrating the folk music Grainger was inspired by, is to me one of the most interesting this year.
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