If you ever need proof of Shakespeare’s universal appeal, stop by Rome’s Globe Theatre. Within a single evening you’ll be convinced that the Bard, disarmed of dactylic hexameters, can still speak to everyone and anyone. All the more so to Italians when it comes to As You Like It (Come vi piace). Their temperament — irascible, passionate, effusive — stands opposite that of the English but squares precisely with what Shakespeare wanted to lampoon in this subtle masterpiece. Rosalind (Melania Giglio) is so sickly in love with Orlando (Daniele Pecci) that she can barely maintain her act as “Ganymede” in his presence. Duke Frederick (Nicola D’Eramo) hates his brother (also played by D’Eramo) so fiercely that anyone who reminds him of Duke Senior is mindlessly banished from the dukedom. Silvius (Patrizio Cigliano) dotes on Phebe (Barbara Di Bartolo) so cloyingly that the audience would gladly join her in strangling him if only he weren’t so hysterically funny. Each character is a caricature of Italian emotional excess, and no one can make fun of emotional excess better than the excessively emotional Italians.
Lucy Vivante records her visit to the Castello di Giove in Umbria, Italy.
My immediate reaction to Michael Miller's commentary on the Karajan centenary [Oh no! He’s not back again, is he? - May 2, 2008] was rather choleric, but I've settled down a bit since then and can write this from a relatively balanced perspective.