The great challenge of any musical revival is ourselves—specifically, our memories of the cast we first saw, the scenery and costumes. It’s even worse if we have a cast album and know by heart not only the words and music, but also the musical dynamics, phrasing and inflections. This is the challenge I faced attending the final preview the current Roundabout revival of She Loves Me. Will it be as good as I remember?
Why would anyone want to attend yet another revival of Fiddler on the Roof? Since its premiere in 1964 it has had five major Broadway revivals and who knows how many regional theatre, school and amateur productions. Millions of us have seen this show or its film version at least once. So—you want to know why go again? I’ll tell you why.