Lincoln Center

Musical Theater

The King and I in Revival at the Vivian Beaumont Theatre, Lincoln Center

Is a puzzlement – why Barlett Sher and Michael Yeargan, the Tony award winning director and set designer of South Pacific, respectively, would create such a sparse scenic design for The King and I. The stage of the Vivian Beaumont Theatre is over 3,500 square feet – and much of the time (in the palace and in the forest) all we see on the large portion that thrusts out into the audience is a black floor with a lonely actor or two singing upon it.
Dance

Mikhailovsky Ballet Performs The Flames of Paris

Move over Les Miz! The Flames of Paris is an opulent, highly muscular, charged ballet that's mass entertainment complete with sward-fighting, clog dancing, folk music and enough revolutionary zeal to please any audience. It also makes the French Revolution look like an event that took place between dessert and coffee – no guillotines, no blood and almost no tragedy if you don't count the two on-stage deaths that register more as plot lines than emotional grabbers.
Contemporary Music

Mostly Mozart, Hold the Mozart: the International Contemporary Ensemble and Ellie Dehn perform Fujikura, Zorn, Lucier, and Messiaen at the Park Avenue Armory

ICE (International Contemporary Ensemble) has become a fixture at what might once have been considered and unlikely event, Lincoln Center's Mostly Mozart Festival. In recent years it has devloped into a more eclectic sort of festival, grounded in the music of Mozart as always, but including baroque and classical music played on period instruments as well as contemporary music. Within a few weeks Mostly Mozart provides a condensation of our musical interests today. It is especially welcome to get some taste of the rich contemporary music life in the City, when it inevitably thins out for the summer, as composers, many of whom teach for a living, go off to the country or an arts center to compose, perhaps with a visit to the Festival of Contemporary Music at Tanglewood or some other opportunity to congregate with colleagues and hear each other's work.
Dance

The New York City Ballet’s All Balanchine and Stravinsky Festival

The New York City Ballet began its fall season at the David H. Koch Theater with a three-program tribute to the legendary choreographer/composer duo of Balanchine and Stravinsky. The first installment (which this reviewer unfortunately did not see) featured the classic Greek trilogy of Orpheus, Apollo, and Agon. The second program comprised the most overtly Russian collaborations of the two artists, drawing upon their common background in rich folk and fairy tale traditions.
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