It gladdens my heart to confirm that Alexander Zemlinsky’s The Mermaid is no longer a “rescue” known only to early twentieth century enthusiasts panning for neglected musical gold. It’s too good for a fate like that. There are 11 modern versions of this work now on Naxos’s streaming site, not to mention live performances on YouTube, most of them, like this one, quite fine. The piece has arrived. It’s a fitting outcome for music which premiered in 1905 on the same program as Arnold Schoenberg’s Pelleas and Melisande and was actually preferred by the audience.
Organist Paul Jacobs, chair of Juilliard’s organ department, will perform a three-recital series in September 2019 featuring a program of works drawn from throughout the great French organ tradition. Mr. Jacobs stands out as among the organists of today for his interpretative intellect, virtuosity, and musicological learning. He opens the series performing on the Holtkamp organ in Juilliard’s Paul Hall on Tuesday, September 10, 2019, at 7:30pm. The series continues on the 1933 Aeolian-Skinner “Opus 891” at the Church of St. Mary the Virgin on Tuesday, September 17, 2019, at 7:30pm, and concludes on St. Ignatius Loyola’s 1993 Mander Organ on Tuesday, September 24, 2019, at 7:30pm.
ICE (International Contemporary Ensemble) has become a fixture at what might once have been considered and unlikely event, Lincoln Center's Mostly Mozart Festival. In recent years it has devloped into a more eclectic sort of festival, grounded in the music of Mozart as always, but including baroque and classical music played on period instruments as well as contemporary music. Within a few weeks Mostly Mozart provides a condensation of our musical interests today. It is especially welcome to get some taste of the rich contemporary music life in the City, when it inevitably thins out for the summer, as composers, many of whom teach for a living, go off to the country or an arts center to compose, perhaps with a visit to the Festival of Contemporary Music at Tanglewood or some other opportunity to congregate with colleagues and hear each other's work.