musical

Musical Theater

Saturday Night, Stephen Sondheim’s 1954 Musical

Stephen Sondheim was just 24 years old when he wrote three songs on spec for the Broadway-bound musical Saturday Night. It became his first post-collegiate musical. The show, based on the play Front Porch in Flatbush by Julius J. Epstein and Philip G. Epstein never made it to Broadway – then or now. Death, disease, and lack of funding all got in its way. The late 1990s saw both a London and Chicago production. In February of 2000 the show finally had its New York premiere to celebrate Sondheim’s 70th birthday. By then he had written Company (1970), Follies (1971), A Little Night Music (1973), Sweeney Todd (1979), Sunday in the Park with George (1984) and Into the Woods (1987) to name a few.
Music

Vasily Petrenko and Joshua Bell in a Russo-English Program with the SF Symphony: Shostakovich, Tchaikovsky, Glazunov, and Elgar

Hats off, ladies and Gentlemen! A conductor! And a great symphony! Vasily Petrenko's recent electrifying week with the San Francisco Symphony reminds the listener that Gustavo Dudamel is not the sole "conducting animal" to be found on the musical circuit these days. Esa-Pekka Salonen coined the term a while back, with the impassioned Venezuelan in mind. And indeed, Dudamel is the sort of refreshing performer who has the winds jumping to their feet like jazz musicians and bass players twirling their instruments. He is all about emotion as vitality. But physically, apart from the energy with which he beats time, his manner is unremarkable. The fascination of Petrenko, by contrast, is his ability to reflect every quivering moment of the music somewhere on his face or body, as though he were a disembodied hologram. We joke about people who are "double-jointed." But Vasily Petrenko might as well be quadruple-sprung and then some...this is a man who'd have no trouble tapping three heads, rubbing five tummies and signalling with numerous eyebrows at the same time!
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