Rachmaninoff

HHA

A Crop of Recordings XXXV: Bernstein, Barber, Crawford, Schuman, Rachmaninoff, Sibelius, Scriabin

I’m always intrigued when European orchestras take up the cause of American music, a simple enough notion to understand semantically but difficult at the stylistic level for continentals to adopt idiomatically. Our music’s frequent combination of seemingly naive musical prayerfulness with ungoverned explosive energy has typically left European musicians a bit puzzled, and the Teutonic world at times more than a little stiff and earnest. So I wondered about this release. Could the Swiss sashay down Broadway with that long-legged swagger and impudence implicit in so much of American life? Could Lucerne really let go?
HHA

Florent Schmitt’s “Légende” and “Oriane et le Prince d’Amour” with Debussy and Rachmaninoff—the Buffalo Philharmonic under JoAnn Falletta

There's something about Buffalo that is forever and wonderfully 1940. The city admittedly went through a difficult patch in the last decades of the century, before emerging today prosperous and half the size it was. From an artistic perspective, though, this may not be all bad. Buffalo escaped most of the Pizza Hut architecture and cereal box skyscrapers which typically afflict American cities. Today, great colonnaded turn-of-the-century hotels, banks and office buildings still reflect iconic dignity and Dreiserian business energy upon a downtown more formal and stylistically unified than most. When it comes to its resident orchestra, the Buffalo Philharmonic similarly avoided an onslaught of concrete, continuing to perform in Kleinhans Music Hall, designed by the Saarinens (father Eliel and son Eero) in 1940 and declared a national landmark in 1989.
Music

The Pittsburgh Symphony under Juraj Valčuha with pianist Lukáš Vondráček play Rachmaninoff and Respighi

There's something timeless, solid and reassuring about attending a concert in Pittsburgh. The place seems contented. "The burghers are industrious" is an old fashioned way you might put it. Citizens seem to take themselves seriously. Businessmen still wear ties. Nobody pushes and shoves, the way New Yorkers do in that elbow war of a city. People make time to talk to each other in line.

Music

San Francisco Symphony, Edward Gardner, conductor, Simon Trpčeski, piano, play Tippett, Gershwin, and Rachmaninoff

Though Michael Tilson Thomas doesn't step away from our podium officially until the summer of 2020, his recently announced departure ensures every guest conducting week at the San Francisco Symphony between now and then amounts to a job interview for the Music Directorship. English conductor Edward Gardner, current Music Director of the Bergen Philharmonic in Norway and a frequent recording artist for Chandos with British orchestras, surely had this possibility in mind for his impressive debut program here last week: a shrewdly chosen British signature piece; a bow to MTT's New York Broadway roots with Gershwin, and Rachmaninoff's final blockbuster, written in America. He brought the house down.
Berkshire Review

Boston Symphony Orchestra: Looking Up

Writing here recently about last season at the Boston Symphony, I had recourse more than once to the phrase “just notes going by” in response to Andris-Nelsons-led performances that I did not like (I did praise a number of performances as well). I am happy to say that I think no one would say “just notes going by” about the recent, September 28th concert which opened the orchestra’s subscription series for 2017-2018. First, Nelsons and the orchestra and soloist Paul Lewis presented a definite view of the Beethoven Piano Concerto No. 4 in G-major, Opus 58; they had something to say with it. And the large Shostakovich Symphony No. 11 (“The Year 1905”) which followed, seemed to come into its own and express itself as fully as one could imagine.
Music

Vasily Petrenko leads the SF Symphony in Glinka, Lalo, and Rachmaninoff, with Joshua Bell, violin

I don't know how many in the audience had ever heard anything like it, a symphony dragging itself to a conclusion like a wounded beast over shrieking strings, bass drum rolls gone mad, brass, cymbals and tam tam flashing like jaws and teeth. And then, there was that set of hall-flattening final chords, like crates dropped on the stage, followed by silence for five seconds, broken only by a quiet "Jesus!" under someone's breath. Welcome to the Rachmaninoff First Symphony!
Recordings

A Crop of Recordings X

This CD has already become a favored and frequented member of my collection. Chandos has a long and successful history of recording the BBC Philharmonic, but this is the first recording I’ve encountered from their new venue in MediaCity, Salford. I’m happy to report that the transparency, fine balances and smooth listenability of the old Studio 3 are alive and well in the new facility. And the performances, under recently appointed Music Director Juanjo Mena, are as idiomatic and atmospheric as one could hope for.
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