Sibelius

HHA

A Crop of Recordings XXXV: Bernstein, Barber, Crawford, Schuman, Rachmaninoff, Sibelius, Scriabin

I’m always intrigued when European orchestras take up the cause of American music, a simple enough notion to understand semantically but difficult at the stylistic level for continentals to adopt idiomatically. Our music’s frequent combination of seemingly naive musical prayerfulness with ungoverned explosive energy has typically left European musicians a bit puzzled, and the Teutonic world at times more than a little stiff and earnest. So I wondered about this release. Could the Swiss sashay down Broadway with that long-legged swagger and impudence implicit in so much of American life? Could Lucerne really let go?
Music

Charles Dutoit conducts the San Francisco Symphony with Emanuel Ax, piano, in Sibelius, Mozart, de Falla, and Debussy

If you ever wonder how Sibelius' music seems to come in two styles, one bardic, noble, warmly patriotic and slightly thumpy; the other austere, cerebral, craggy and interplanetary, think Karelia. This is the eastern portion of Finland near the White Sea, where ancient forms of native song and poetry still obtained at the turn of the last century. As Vaughan Williams scoured England for folksong and Bartók transcribed them in Hungary, a similar romantic enthusiasm for Finnish roots swept young Finns of the day. Karelianism, it was called, and Sibelius' suite derives from the music he wrote for the Karelia Pageant of 1893, which represented something of a culmination of the movement. The opening "Intermezzo", otherwise a contradiction in terms, was in fact used to separate two tableaux within the festivities.
Recordings

A Crop of Recordings X

This CD has already become a favored and frequented member of my collection. Chandos has a long and successful history of recording the BBC Philharmonic, but this is the first recording I’ve encountered from their new venue in MediaCity, Salford. I’m happy to report that the transparency, fine balances and smooth listenability of the old Studio 3 are alive and well in the new facility. And the performances, under recently appointed Music Director Juanjo Mena, are as idiomatic and atmospheric as one could hope for.
Music

A Crop Of Recordings VI: Symphonic Works by Strauss, Prokofiev, Mahler and Sibelius

There is nothing more cozy and comfortable in the symphonic canon than the harmless narcissism of Strauss’s “domestic” symphony, originally titled “My home. A symphonic portrait of myself and my family.” Just how tasteful it all is has been a subject of debate ever since 1903, of course. As Peter Ustinov famously said of the composer: “I knew I wouldn’t like his wallpaper.” As it turned out, he didn’t.
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