solo theater

Theater

The Third United Solo Theater Festival at Theatre Row off Time Square: a Chef, Self-Help Sleazoids, and a Spirited Gal from Texas

October and November are now firmly established as solo theater season in New York. United Solo, now in its third year, has grown by one third—to over 100 performances over a five-week period, from October 11 to November 18, 2012. Artistic Director Omar Sangare has been one of the leaders in solo theater for many years, not only in his native Poland, but in the US, where he has lived and worked since 2005, and he has attracted a stream of applications from solo practitioners all around the world, making United Solo the largest and best event of its kind.
Ireland

John Hurt in Krapp’s Last Tape from the Gate Theatre, Dublin, at BAM

It occasionally strikes me, to my own bemusement, that walking along a street on an average day, I might have in my pockets as many as three devices capable of recording pictures, even moving pictures, and perhaps two for recording sound. Modern technology has given ordinary people—anyone—an unprecedented ability to make precise literal records of what can be heard and seen at any given time and place. Using a device smaller than my hand I can create a seamless journal of sound, text, still images, and movies, if I choose, but I refrain. I rarely put these capabilities to use—only if there is something extraordinary...like the bizarre Australian accent of a tour guide on the Palatine last year, as he spun absurdities to his rapt crowd. (I wasn't fast enough...) I am wary of these literal records. Are they the death of memory? Even during my undergraduate years, when the goings-on had every appearance of memorable times, I eschewed keeping a diary, taking notes, or even taking pictures. If I ever wrote about those times, I wanted to write from memory, with all its confusions and conflations, believing that someone else would be keeping an accurate chronicle of events to rescue me, if I needed it.
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