Vaughan-Williams

Music

The Sydney Symphony under Vladimir Ashkenazy play Vaughan Williams and Elgar, with Andreas Brantelid, cello, at the Sydney Opera House

Vladimir Ashkenazy is a beloved figure in Sydney, one immediately realizes, as he dashes onstage in a signature white turtleneck to lead the Sydney Symphony at the Opera House concert hall. You'd never guess this compact Conductor Laureate, with his full shock of white hair and healthy build is 82 years old. Subtract twenty and you might be closer to the truth. A phalanx of teenage girls in striped school uniforms immediately starts screaming and doesn't let up. As the evening progresses, not entirely aware of when to burst into applause, they will several times bring the proceedings to a momentary halt born of green but great enthusiasm and delight. No musician, of course, genuinely minds that sort of excitement. 
Berkshire Review

B-List Works Shine Forth at Symphony Hall. Andrew Davis leads the BSO in Vaughan-Williams, Prokofiev (with Yuja Wang), and Rimsky-Korsakoff

The oeuvre of the each of the greatest, most familiar composers can be imagined as a personal cosmos, a collection of works of great power and quality, spanning a wide range of style and expression. Mention of their names is almost enough to arouse expectations of music belonging on the A-List. Other significant but less ubiquitous composers can be known to concert audiences through small numbers of repeatedly performed works that possess an identifiable sound, style, and mood. Less familiar but important works by two such composers, Ralph Vaughan-Williams and Serge Prokofiev, received fine performances by the Boston Symphony in late March, along with an A-List favorite by Rimsky-Korsakoff. These works gave audiences a chance to savor some less familiar, even surprising sides of their composers’ artistic personalities, and to provoke curiosity about what other works by these composers might be lurking in the shadows of the B-List.
Recordings

“Music for a Time of War” – The Oregon Symphony under Carlos Kalmar play Ives, Adams, Britten, and Vaughan Williams on a Pentatone Release…Highly Recommended!

The Review has quite a backlog of recordings piled up, and we hope to make our way through as many as we can. I especially wanted to make note of this full concert recording by the Oregon Symphony, not only because our own Steven Kruger wrote the perceptive and witty program notes, but because of its exceptional musical quality and its truly extraordinary recording. A multichannel recording from Pentatone Classics, which released the Berlin concert performance of Der fliegende Holländer under Marek Janowski reviewed a few months ago, it amazed me with its timbral and spatial naturalness. It most definitely belongs in the reference collection of any audiophile, whether they are inclined to multichannel playback or not. I listened to it in stereo on headphones, using an SACD-compatible player.

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