2014

Coming Up and Of Note

Extraordinary Brahms and Shostakovich from Tonu Kalam and the UNC Symphony Orchestra

It's not our custom to review performances we post, but I will say a few words about this concert. Brahms's Third Symphony is notoriously difficult to perform successfully. I have heard great conductors fail in it. The Toscanini story is famous. None of his NBC Symphony performances quite gel, and there was always much discussion about why this particular symphony, which seemed so well-suited to his temperament evaded him, until his splendid performance with the Philharmonia Orchestra became generally available as a recording many years after his last visit to London at the very end of his career. The puzzlement about Nelsons' recent performance with the BSO is another case in point. Tonu Kalam has no such problem here. By adopting a gentle, lyrical approach to the work, Kalam achieves a performance that is musically and emotionally coherent—one of the finest I've heard.
New York Arts in London

Sir Donald Sinden’s Enchanted Tour of the Great West End Theatres: the First Installment

Of all the places frequented by humankind, the theater must surely be the one where we are most vital. Forget playing fields, museums, churches, mountain tops, bedrooms, and all that. One might say the proof is that they are so often inhabited by ghosts, as Sir Donald Sinden is always careful to note in the delightful series of documentaries about the theatres of London's West End he and his son Marc are in the process of creating. (Ten have been finished so far. There will be forty in all.) The thing is that even if there is no haunting, one should take due note and make some attempt to identify the personage—usually an actor or manager, or both in one. Or perhaps all we need to do is be aware of how we feel, body and soul, after a truly excellent performance on stage. Never have I felt more alive than after a great evening or afternoon in the theatre. There words, gestures, and humanity become lifeblood.
Berkshire Review

Better on Paper? Gerald Finley’s Winterreise, Kirill Gerstein’s Piano Recital in Boston

I can’t think of any musical event this season I was more looking forward to than Canadian baritone Gerald Finley singing Schubert’s Winterreise at Jordan Hall (February 7), and I’d been almost equally excited about hearing Russian-born pianist Kirill Gerstein return to Boston for a full length Jordan Hall piano recital (January 31). Both concerts were sponsored by the Celebrity Series of Boston, and both sounded great on paper.
Film

Das Reichsorchester: The Berlin Philharmonic and the Third Reich, A film by Enrique Sánchez Lansch

It may seem like bad manners to welcome the Berlin Philharmonic to New York by discussing a film which deals with the darkest period in its history, but I have no trouble pointing out that its creator’s neutral position leads to a fair, even sympathetic treatment of the orchestra and the survivors who tell the story through their personal experiences and perspectives. The humanity and culture of these gentlemen shine through, and through the political murk, the viewer can develop a vivid sense of what made this orchestra and the musicians in it unique. Enrique Sánchez Lansch's Das Reichsorchester is entirely the product of a contemporary German mentality, reflecting the desire of a later generation to understand the many gradations of complicity and innocence, courage and fear, their grandparents could grasp as choices in a political system which left them few.
Coming Up and Of Note

Beethoven: a Premiere Anniversary on Saturday, March 1, at 7:30PM at the Church of the Epiphany

For the last two years Grand Harmonie has presented concerts of early chamber music – and sometimes larger ensemble music – that feature historically accurate wind and brass instruments. Now this group of young musicians from New York and Boston is growing into a full period instrument orchestra focused on 19th-century repertoire.
Early Music, etc.

BEMF at the Morgan: the London Haydn Quartet and Eric Hoeprich played Haydn, Beethoven, and Mozart

A heavy snowfall, bitter winds, and icy sidewalks failed to deter an enthusiastic audience from nearly filling the Morgan Library’s Gilder Lehrman Hall on January 21, when the Boston Early Music Society continued their New York series with a concert by the London Haydn Quartet with Eric Hoeprich, the great historically informed clarinettist and instrument-maker, who were offering a program of Haydn, Beethoven, and Mozart. The bare white basement space that serves as the lobby of the hall is hardly the most attractive part of one of New York’s most elegant institutions, but its heating was welcome enough, and once one enters the auditorium, one can enjoy some warmth of design and acoustics as well.
Berkshire Review

Boston Symphony Orchestra—Life in Winter: Poga and Ohlsson, Eschenbach, and Haitink

On January 25th the Boston Symphony Orchestra and assistant conductor Andris Poga completed a series of concerts that, to judge by that final evening, made for one of the season’s high points. Mr. Poga completes his term with BSO this year and moves on to take over the Latvian National Symphony Orchestra in his native Riga. He is an imposing figure onstage—vigorous but not flamboyant, authoritative in his gestures—and on this occasion showed a remarkable inwardness with all the music he conducted.
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