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When Mike Bartlett conceived the idea for this play, according to an article he wrote about it in The Guardian, his thoughts centered on the figure of Prince Charles at "the moment Charles takes the throne, and how his conscience would lead him to refuse to sign a bill into law. An epic royal family drama, dealing with power and national constitution, was the content, and therefore the form had surely to be Shakespearean." He was not approaching it with any particular ideas about monarchy, or the royal family, or the state of Britain. He was thinking, not as a political creature or a satirist, but as a playwright. From this mindset, it immediately occurred to him that the form had to be Shakespearean, down to the blank verse—and this terrified him, because he had virtually no experience with the meter, or with any verse.