March 2018

Berkshire Review

A Crop of Recordings XX: Gardner Read, Bruckner, Saint-Saëns, Brahms, and Pfitzner

If you ever wondered who stole a Paderewski Prize from under the nose of Leonard Bernstein’s Jeremiah Symphony, here is the culprit, and here is the work that did it. It’s better than you think. Gardner Read (1913-2005) seems to have been one of those composers who wins competitions and gets punished by history for it. His music skirts the wild edges of the safe and known. Dismissed by Copland as “too romantic,” Read has largely been forgotten.You can find three of his symphonies on YouTube. But although the composer lived until his nineties in Manchester-by-the Sea, Massachusetts, I had never heard a note of his music before curiosity about the Second Symphony drove me to the bizarrely wonderful and nightmarish work it turned out to be.
Opera

A Flood of Unfamiliar Operas by Rossini, Saint-Saëns, and Others, Now on CD

Over the past year or so (2017), an unusually large number of fascinating and rarely performed operas were made available, mostly for the first time ever, on CD. NewYorkArts/Berkshire Review for the Arts has asked me to share some of my delighted discoveries from this flood of new arrivals, as well as—in separate articles—my (rather lengthy and detailed!) reviews of two contrasting operas that seem to me particularly worthy of discovery:
Berkshire Review

A Brilliant, Touching Adaptation: John Joubert’s Opera Jane Eyre, Finally (and Finely) Performed and Recorded

I had never heard a note by John Joubert (1927- ) before. Critics have often praised his works for organ and for chorus. Several of his hymns and carols are widely known. Joubert, I have now learned, was born in South Africa but received his training in England and has made his long and continuing career there, mainly in Birmingham. (His last name comes from a French Huguenot ancestor.)
WP2Social Auto Publish Powered By : XYZScripts.com