Over the past year or so (2017), an unusually large number of fascinating and rarely performed operas were made available, mostly for the first time ever, on CD. NewYorkArts/Berkshire Review for the Arts has asked me to share some of my delighted discoveries from this flood of new arrivals, as well as—in separate articles—my (rather lengthy and detailed!) reviews of two contrasting operas that seem to me particularly worthy of discovery:
As collectors know, exploring outside the basic repertory is often both frustrating and rewarding. The search for significant neglected music, one learns early, is not so easy as it appears. Many worthy pieces one falls in love with turn out to be partial works of genius, with uninspired moments we choose to forgive, defects of length and proportion, or performing requirements condemning them to obscurity.