Last month I had the pleasure of chatting with Inbal Segev, a young cellist from Israel, who has been making a mark in contemporary music and the classics. She was discovered by Isaac Stern as a high school student in Israel, and he arranged for her to come the United States to study at Yale and Juilliard. On this occasion we talked about her upcoming performance of Christopher Rouse's cello concerto with the Albany Symphony under David Allan Miller and a very interesting—and successful—contemporary music festival sponsored by the Baltimore Symphony Orchestra, under the direction of Marin Alsop. It held its inaugural season just last summer.
David Alan Miller
A portion of the rich but sometimes neglected trove of American symphonies was given a welcome exposure during the valuable Spring for Music Festival at Carnegie Hall in early May, thanks to the ongoing commitment to this repertory of music directors David Alan Miller and Leonard Slatkin. The beneficiary composers, Morton Gould and Charles Ives, both stand apart from the mid-century symphonic mainstream, also neglected, of Piston, Sessions, Schuman, Harris, Diamond, et al. It was a fascinating juxtaposition, particularly since Gould’s symphony has been largely absent since its premier in 1947, and most of Ives’s works had to wait lengthy intervals before receiving their first performances.