Juilliard School of Music

Music

Introducing Weiyin Chen, who will play Bartók, Marc Neikrug, and Schubert at SubCulture on June 13

Last January I heard part of quite a thrilling chamber concert at SubCulture. The Mirò Quartet, which I have reviewed favorably in the past, excelled themselves in an all-Brahms concert with a young Taiwanese-American pianist I had not heard before, Weiyin Chen. Her playing showed maturity, a deep identification with  the music, in this case Brahms' Piano Quartet in C Minor and Piano Quintet, an extensive range of color and feeling, strength, and seriousness. The Mirò played with a electric intensity I've not heard from them before. This was in fact the second concert of a three-part debut series she has organized for SubCulture.
Music

The Greatness of Reger—as Revealed by Paul Jacobs, Organist, at Juilliard

The new season began for me with a recital which was exemplary in every way. The music-making was on the highest level, and the program was was astutely chosen for a clearly defined purpose with which no music-lover could take exception. Paul Jacobs made in absolutely clear in his rather extensive, but never tedious addresses to the audience that he had two missions in mind: 1. to bring the organ recital back into mainstream concert-going 2. to promote the music of a great composer who is neglected by performing musicians and audiences alike. The organist's jocularity only made his passionate belief in these causes all the more poignant.
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