We normally think of operas as being serious or comical. But a number of operas—some familiar, others forgotten—are neither of these. Instead, they are fantastical, dealing with such things as the fairy world and sorcerers, or with the world of dreams. One of the best such works is Ravel’s L’enfant et les sortilèges (which might be freely translated as “The Boy Who Meets Objects and Creatures that Magically Begin to Speak and Dance”), which has recently been blessed by two astounding new recordings (conducted by, respectively, Stéphane Denève and Mikko Franck).At the present site I have recently reviewed a very engaging Czech opera by Otakar Ostrčil, based on a quasi-folktale by Tolstoy, in which the Devil seeks to seduce three brothers into serving his own destructive ends.
Over the past year or so (2017), an unusually large number of fascinating and rarely performed operas were made available, mostly for the first time ever, on CD. NewYorkArts/Berkshire Review for the Arts has asked me to share some of my delighted discoveries from this flood of new arrivals, as well as—in separate articles—my (rather lengthy and detailed!) reviews of two contrasting operas that seem to me particularly worthy of discovery: