Having already played the Prokofiev 3rd Piano Concerto three times with Vladimir Ashkenazy last week, Behzod Abduraimov played this one-off recital, and a grueling one it was. It is a very nice idea, though, for the Sydney Symphony to arrange these solo recitals of some of their visiting pianists (there will be three more recitals this year) as we get a chance to hear more of their personal character than is expressed in the big symphonic concert hall with the orchestra. As the Symphony's artistic director and chief conductor, and moreover as a great pianist himself, Ashkenazy has invited or at least agreed to play with, some wonderful and characterful pianists, especially Jean-Efflam Bavouzet and Stephen Hough last year. Behzod Abduraimov who only made his first tour a few years ago (with Ashkenazy and the SSO, as it happens), has a very definite style which he expresses always without reserve, his interpretations always having clarity. Even if it is different from your own thoughts or interpretation of a piece or from your favorite pianists (he is very different from Horowitz, though I believe the comparison has been made in the past) his style is strongly magnetic and his interpretations convincing enough to draw one into his musical world, and it is of course healthy and fun to hear new and varied interpretations of old favorites.
Peter Serkin, Piano
Carnegie Hall, Zankel Hall, December 10, 2009
Schoenberg – Three Piano Pieces, Op. 11
Debussy – 6 épigraphes antiques
György Kurtág – Selections from Játékok
–Pen Drawing, Valediction to Erzsébet Schaár
–(…and round and round it goes…)…