Such a broad range of small detail, an infinite diversity of subtle variations in tone, attack, dynamics etc., more than is practical even for a composer to write into a score, is possible, even common on the string instruments, especially the violin, and it seems to be much easier to find violinists capable of nuanced playing than any other instrument, flute, horn, oboe, for example, though maybe not piano, though these instruments are not directly comparable. The string quartet then presents so many musical possibilities not to mention possible combinations of musical personalities, for both the performer and composer, and such opportunities for experimentation with the genre's huge density of detail, relative speed of composition, and fantastic possibilities at the frontiers of musical sound. It is easy too to compare a symphonist's writing string quartets to a painter's drawing of finished studies, and this tradition continues, even if new symphonies and operas are relatively rare, as we see here in this program which includes the newish work by Gordon Kerry whose pieces, like Ian Munro's last year, will feature in most of this year's chamber music concert tours organized by Musica Viva.
St. Lawrence String Quartet
The reviews of three concerts and a dance performance you will find on The Berkshire Review and New York Arts, one in San Francisco and three in New York, represent only a small part of the month-long festival, organized by Carnegie Hall under Michael Tilson Thomas’ direction, but including many other events scattered about the city at venues including the the Whitney, the Henry Street Settlement, the New York Public Library, and (le) Poisson Rouge. (Click here for a full listing. It should be noted that Michael Clark, reviewed here by Louise Levathes, is very much a maverick, although not an American.) I especially regret I couldn’t attend more of it, but I can take some consolation in referring you to WQXR’s expansive coverage of most aspects of the festival, with articles, interviews, and snippets of performances.)