Tricia van Oers

Music

The 2017 Bethlehem Bach Festival in Retrospect, with a Look Forward to 2018, Marking the 120th Anniversary of the Bethlehem Bach Choir

I recently spent an afternoon at the 92nd Street Y, listening to Angela Hewitt play the  Goldberg Variations, the second recital of a pair which began with the First Book of the Well-Tempered Clavier. The hall was packed for both concerts. The audience remained raptly silent during both. This afternoon every single member of the audience who was capable of standing was on his feet, expressing sincere gratitude for the great music they had just heard. There was a kind of religion in this, and it brought Jews, Christians, agnostics, and atheists together to hear the greatest of all music, which people who know it regard with spiritual fervor. This is the third year of Ms. Hewitt's Bach cycle, which will continue next season, overlapping with Garrick Ohlsson's traversal of the complete piano music of Brahms. That is how J. S. Bach is cultivated in the neighborhood where I live.
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