2019

Dance

Lydia Johnson Dance at the Ailey Citigroup Theater

It was with relief that I greeted the final number on the program. Undercurrent, set to music by Henryk Gόrecki, woke up, enlivening me, the audience at large and also seemingly the dancers who had previously drifted through a series of works that I found bland and somnolent. Undercurrent raised levels of power and energy with repeated prancing steps, first danced by groups of women and later by the company’s men.

Contemporary Music

Going Beyond the Impossible to the Musical: The JACK Quartet play the Complete String Quartets of Elliott Carter.

The string quartet literature is notable for throwing super-complex challenges at the players; after all, this is the most cohesive medium for ensemble playing, and quartets play together for years or decades and can polish their communication and coordination skills to the highest degree. For that reason, composers have striven their utmost to present path-breaking difficulties and daring quartets to conquer them. One sub-history of 20th/21st century music has been the interplay between quartet composers and the groups performing their music. The avatar of all of this is late Beethoven, whose Große Fuge pushed the boundaries of playability in its day, and whose late quartets were composed with the skills of the Schuppanzigh Quartet in mind. 

Recordings

A Crop of Recordings XXVI: Shostakovich, Weingartner, Ibert, and Elgar

Andris Nelsons and the Boston Symphony are in fine form here, satisfying guides, as always, in their approach to the ironies and tragedies of the Shostakovich symphonies. Indeed, now that we know him well in Boston, it has become clear Nelsons is consistent there in the way he approaches music of this kind. But he illustrates, you might say, along with special romantic insights, the sins of his virtues. Nelsons is what Sir Thomas Beecham would have called a “ritardando” conductor. One notices this not so much in tempo variance as in the tendency to prepare for and draw out a cadence. Nelsons is not slow. But one is nearly always aware of a certain smoothness in transitions from phrase to phrase and a roundedness in the brass sonority he encourages from the BSO.

WP2Social Auto Publish Powered By : XYZScripts.com