Charlotte Moore

Musical Theater

On a Clear Day You Can See Forever at the Irish Rep, extended to September 6

The nicely slimmed-down production of On a Clear Day You Can See Forever at Irish Rep is a tidy delight. The show has been revived numerous times since originally opening in the fall of 1965; along the way it has lost several songs (with good reason—they were terrible) and had several interpretations including one by The Vineyard Theater at Vassar College’s Powerhouse Theater that changed the female lead to a gay male. Other versions have added or subtracted characters who weren’t central to what has to be called the “story line.”

Hugh Leonard’s Da, Revived at the Irish Repertory Theatre

After its impressive fall production of Conor McPherson's Port Authority (2001), the Irish Rep has moved on to an older play from an older generation, Hugh Leonard's Da (1978), which was a huge success in New York and on a ten-month American tour, winning all three of the major Best Play awards in 1978, the Drama Desk, New York Drama Critics' Circle, and the Tony. It premiered off-off Broadway, soon transferred to the Morosco Theatre on Broadway (which fell prey to the wrecker's ball shortly afterwards) and almost became a New York institution over its 687 performances. It was made into an American film in 1988, with Martin Sheen playing Charlie opposite Barnard Hughes, who created the role of Da on stage.
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