It is no easy task to stage a radio play, or even a "Play for Voices." We're not talking about, say, making a dreadful Hollywood movie, or even a schlocky 1950's film of War of the Worlds; in Under Milk Wood nothing happens. That's not so much even the main difficulty, though, as is presenting something to the eye which complements Dylan Thomas' "prose with blood-pressure," an actor's doing things — or choosing to stay immobile — and creating activity in a sensible way without stepping on the imagination's toes. Something similar goes for the cooperative efforts of the costume, set, and music. One way might be to make a sort of symphonic concert out of it, in three movements: night, day, and evening, the actors using their voices mainly with minimal secondaries of costume, gesture, lighting and music, a verbal analogue to a recital or concert. The other extreme might be to turn it into a 'proper play,' with with changing sets of Coronation Street
Lucas Miller reviews the Gala show of the 2008 Edinburgh International Film Festival, directed by John Maybury and starring Keira Knightley, Siena Miller and Matthew Rhys.