environment

Architecture | Urban Design

Why I am a NiMBY*

Three times in the past month, The Sydney Morning Herald, the city’s broadsheet of record by default, has published a particularly irritating kind of article on urban density. To paraphrase Paul Thomas Anderson’s Magnolia (1999), this is not just a matter of chance. These articles, by the paper’s two resident economists and sole architecture critic, represent a disturbing and powerful tendency to treat cities as economic entities, blobs on a map rather than physical spaces. They don’t realize that you can’t extrude spreadsheets into skyscrapers. Help! The Borg economists are eating Sydney.

Art

Da Corot a Monet: La Sinfonia della Natura, Complesso del Vittoriano (Rome) until June 29th.

Impressionism is often described as an obsession with light. Indeed it was. Monet was on a frantic quest to record each and every glimmer of light that happened to strike his eye. Yet light was not the only inspiration for him and his friends. As this exhibition shows, the inspiration of nature was ever-present in their work even though its meaning for their artistry is ever-elusive. One thing everyone agrees upon is that nature was more than a ready excuse to paint en plein air. Consensus continues to grow about the parallels between the innovative artistic language of the Impressionists and their distinctive view of nature as a dynamic equilibrium composed of countless elements held together in a tenuous harmony.
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