Mariinsky Orchestra

Recordings

The One and Only Igor: Gergiev conducts Les Noces and Oedipus Rex

In a recent interview the conductor Esa-Pekka Salonen, remarked that Igor Stravinsky pulled off the greatest camouflage in the history of music. He was referring to the composer’s lifelong stand that music expresses no emotions, indeed, expresses nothing except sound. Behind this mask, Salonen said, lies a man of deep feeling whose music is often as moving as any ever written. I began to think about Stravinsky and his camouflage, which has always baffled me. How could such glittering creations, each commanding your attention, whether as a shout across the primordial steppes or a murmur like the tick-tock of a mantel clock in the Princesse de Polignac’s salon, be about nothing?

Music

Gergiev and the Mariinsky Orchestra in San Francisco play Rachmaninoff’s Third Piano Concerto with Denis Matsuev and Shostakovich’s Symphony No. 15

This week, the touring Mariinsky Orchestra, led by the ubiquitous Valery Gergiev, performed two evenings at Davies Hall in San Francisco. The first program, which I did not hear, was devoted to Prokofiev ballets and Tchaikovsky's Fifth Symphony. The second, more intriguing to me, presented Shostakovich's enigmatic final symphony, as well as an opportunity to assess the Rachmaninoff artistry of Denis Matsuev, who is being hailed these days as a pianist in the Horowitz tradition.

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