Park Avenue Armory

Theater

Sophocles’ Antigone, in Japanese, directed by Satoshi Miyagi

Sophocles’ Antigone is a play written 2.500 years ago but in many ways relevant for today’s culture. In this performance, Greek tragedy and Japanese theater join forces to create a magical, mystic and spiritual experience of this tragedy in a show that combines Japanese culture and Greek drama. Twenty-nine actors and a director create an experience that deals with loss, memory, and duty—a performance that unites cultures, techniques and aesthetic types.
Art

Kiki Smith at the IFPDA Print Fair

At the IFPDA Print Fair on Saturday, November 7 at the Park Avenue Armory in New York, curator Wendy Weitman spoke to Kiki Smith about what informs her printmaking practice and its inherent connection to her sculptural work. Smith’s popularity was obvious in the line of people that snaked through the entrance hall of the Park Avenue Armory, waiting to enter the Board Officers’ Room to hear her speak. Extra chairs were set up in additional rows to accommodate the crowd, while many still stood along the walls. Smith and her multidisciplinary practice have been dissected and examined time and again throughout her decades-long career. She is a sculptor, a printmaker, a photographer. She is innovative and unconventional.
Contemporary Music

Mostly Mozart, Hold the Mozart: the International Contemporary Ensemble and Ellie Dehn perform Fujikura, Zorn, Lucier, and Messiaen at the Park Avenue Armory

ICE (International Contemporary Ensemble) has become a fixture at what might once have been considered and unlikely event, Lincoln Center's Mostly Mozart Festival. In recent years it has devloped into a more eclectic sort of festival, grounded in the music of Mozart as always, but including baroque and classical music played on period instruments as well as contemporary music. Within a few weeks Mostly Mozart provides a condensation of our musical interests today. It is especially welcome to get some taste of the rich contemporary music life in the City, when it inevitably thins out for the summer, as composers, many of whom teach for a living, go off to the country or an arts center to compose, perhaps with a visit to the Festival of Contemporary Music at Tanglewood or some other opportunity to congregate with colleagues and hear each other's work.
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