“I wrote everything for Alice,” said Calvin Trillin about his wife, a remarkable woman who was, in addition to her many impressive credentials, his muse. Trillin recounted a great deal about his life with Alice in memoirs, articles and books but the transformation of his sentiments from written work to this two-character play has both up and downsides.
Theater for a New Audience
The double bill of early plays by Eugene O’Neill, brilliantly directed by Alex Roe, which recently closed at the Metropolitan Playhouse, appears as the answer to a question posed by another double bill (of sorts, one would have to say, since they are paired in repertory but not in a single performance) presented by the Theater for a New Audience of Ibsen’s A Doll’s House (1879) and Strindberg’s The Father (1887), and it makes sense to discuss them all together. The question is, “What next?”