In preparing a review of last year's Bard Music Festival, Chopin and his World, I was especially struck by the ability of a festival to present his oeuvre in such a way that the audience could clearly perceive the course of his development as a composer. Jim Samson, one of the preeminent Chopin scholars, I found, had an especially convincing view of his development, which he published in his The Music of Chopin (London, Boston, 1985). The organizers of the Board Festival presented a rather different, but not irrelevant, selection of Chopin's works. I still thought it worthwhile to put together musical illustrations to Professor Samson's outline of the points de repère, the landmarks of Chopin's development. In my review I suggest that an extra concert devoted to Chopin might fill some gaps. This offering, with multiple performances of some of the works, is more of a Chopin orgy than a concert, but you can listen anywhere and pick and choose.